{"id":235,"date":"2020-08-31T13:45:01","date_gmt":"2020-08-31T13:45:01","guid":{"rendered":"https:\/\/needlewatcher.com\/marketplace\/?page_id=235"},"modified":"2024-09-18T11:03:41","modified_gmt":"2024-09-18T11:03:41","slug":"monoprints","status":"publish","type":"page","link":"https:\/\/needlewatcher.com\/marketplace\/monoprints\/","title":{"rendered":"MONOPRINTS"},"content":{"rendered":"

COMING SOON<\/strong><\/span><\/h1>\n

Between 2019 and 2023, James Lancel McElhinney collaborated with master-printer Michael Costello of\u00a0<\/strong>Hand Graphics in Santa Fe<\/strong><\/a>, NM, to produce a series of unique images of the Southwestern landscape, based on McElhinney’s expeditionary-inspired traveler sketchbook-paintings of the region. McElhinney drew images by hand onto Kitakata washi, which were incorporated into the prints using chine-coll<\/em>\u00e9<\/em>; a process in which a paper tissue\u2014typically East Asian rice-paper<\/em>\u2014is sandwiched between the base sheet and the printed image. Laying down multiple color \u201cdrops\u201d using roller-blends interact with the linear elements to create striking and haunting effects. Secondary \u201cghost\u201d prints, elaborated as studio improvisations, veer into abstraction.<\/h4>\n

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All of these artworks were created with oil-based etching inks, with chine-coll<\/em>\u00e9<\/em>, on Hahnem\u00fchle<\/a> etching-paper, with some printed on Rives BFK<\/a>. Both are archival, acid-free, Ph-neutral papers. Sheet size: 22 x 30 inches (55.88 x 76.2 centimeters); image size: 14.375 x 18.75 inches (36.51 x 47.625 centimeters). Each print is numbered 1\/1 (unique image), titled, signed and dated by the artist. Each sheet bears the blind stamp of Hand Graphics, Santa Fe. Each print is accompanied by a letter of authenticity signed by the artist.<\/h4>\n

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 <\/p>\n","protected":false},"excerpt":{"rendered":"

COMING SOON Between 2019 and 2023, James Lancel McElhinney collaborated with master-printer Michael Costello of\u00a0Hand Graphics in Santa Fe, NM, to produce a series of unique images of the Southwestern landscape, based on McElhinney’s expeditionary-inspired traveler sketchbook-paintings of the region. McElhinney drew images by hand onto Kitakata washi, which were incorporated into the prints using […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-235","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/needlewatcher.com\/marketplace\/wp-json\/wp\/v2\/pages\/235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/needlewatcher.com\/marketplace\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/needlewatcher.com\/marketplace\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/needlewatcher.com\/marketplace\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/needlewatcher.com\/marketplace\/wp-json\/wp\/v2\/comments?post=235"}],"version-history":[{"count":19,"href":"https:\/\/needlewatcher.com\/marketplace\/wp-json\/wp\/v2\/pages\/235\/revisions"}],"predecessor-version":[{"id":2229,"href":"https:\/\/needlewatcher.com\/marketplace\/wp-json\/wp\/v2\/pages\/235\/revisions\/2229"}],"wp:attachment":[{"href":"https:\/\/needlewatcher.com\/marketplace\/wp-json\/wp\/v2\/media?parent=235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}