{"id":581,"date":"2020-10-07T14:44:31","date_gmt":"2020-10-07T14:44:31","guid":{"rendered":"https:\/\/needlewatcher.com\/marketplace\/?page_id=581"},"modified":"2022-12-02T10:05:03","modified_gmt":"2022-12-02T10:05:03","slug":"unique-collecting-opportunity","status":"publish","type":"page","link":"https:\/\/needlewatcher.com\/marketplace\/unique-collecting-opportunity\/","title":{"rendered":"Unique Collecting Opportunity: GRAND RIVER SKETCHBOOK. Early Prototype Artist&#8217;s Proof"},"content":{"rendered":"<h1 style=\"text-align: center;\"><span style=\"color: #999999;\"><strong>SOLD<\/strong><\/span><\/h1>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-586\" src=\"https:\/\/i0.wp.com\/needlewatcher.com\/marketplace\/wp-content\/uploads\/2020\/10\/GRS-Cover-1.jpeg?resize=980%2C955&#038;ssl=1\" alt=\"\" width=\"980\" height=\"955\" srcset=\"https:\/\/i0.wp.com\/needlewatcher.com\/marketplace\/wp-content\/uploads\/2020\/10\/GRS-Cover-1.jpeg?w=2464&amp;ssl=1 2464w, https:\/\/i0.wp.com\/needlewatcher.com\/marketplace\/wp-content\/uploads\/2020\/10\/GRS-Cover-1.jpeg?resize=300%2C292&amp;ssl=1 300w, https:\/\/i0.wp.com\/needlewatcher.com\/marketplace\/wp-content\/uploads\/2020\/10\/GRS-Cover-1.jpeg?resize=1024%2C998&amp;ssl=1 1024w, https:\/\/i0.wp.com\/needlewatcher.com\/marketplace\/wp-content\/uploads\/2020\/10\/GRS-Cover-1.jpeg?resize=768%2C748&amp;ssl=1 768w, https:\/\/i0.wp.com\/needlewatcher.com\/marketplace\/wp-content\/uploads\/2020\/10\/GRS-Cover-1.jpeg?resize=1536%2C1497&amp;ssl=1 1536w, https:\/\/i0.wp.com\/needlewatcher.com\/marketplace\/wp-content\/uploads\/2020\/10\/GRS-Cover-1.jpeg?resize=2048%2C1996&amp;ssl=1 2048w, https:\/\/i0.wp.com\/needlewatcher.com\/marketplace\/wp-content\/uploads\/2020\/10\/GRS-Cover-1.jpeg?w=1960&amp;ssl=1 1960w\" sizes=\"auto, (max-width: 980px) 100vw, 980px\" \/>Cover: Portfolio binding by Mita Saldana. Against the Grain Bindery, Albuquerque, New Mexico<\/p>\n<p>As part of the research and development of this project we looked at a number of different binding options, of which this was the first prototype, produced by <em><a href=\"http:\/\/www.atgbooksnm.com\/\">Against the Grain Bookbinding Arts<\/a><\/em> in Albuquerque, New Mexico. \u00a0Due to the COVID crisis it became necessary to locate a book-binder in closer geographic proximity to the publisher. This left us with only two (2) copies of the artist&#8217;s proofs, in the binding by Against the Grain Bindery in New Mexico. One of these has been sold to a longtime collector of McElhinney&#8217;s work. This leaves one copy available for purchase. Contents include a title-page, image-index with colophon, accompanied byten signed dated archival pigment prints of McElhinney&#8217;s journal-paintings of the Rio Grande Valley.<\/p>\n<p>Only one copy exists as an artist&#8217;s proof. Add it to your collection at the affordable price of $1,200.00. To enquire write to: editions@needlewatcher.com, or call 347-266-5652.<\/p>\n<p>Backstory: Inspired by late-18th and early 19th-century artists, McElhinney\u2019s journal-paintings have been reinterpreted as suites of prints, which can be enjoyed in the form of an unbound book, or framed for display on the wall. O.T.W. The Schuylkill River, the limited edition, follows the success of McElhinney\u2019s 2017 Hudson Highlands: North River Suite Volume One. Either of these publications, and other works by McElhinney can be found can in the following collections:<\/p>\n<p>Albany Institute of History and Art. Albany, New York<br \/>\nAsheville Museum of Art, Asheville North Carolina<br \/>\nAvery Fine Art and Architecture Library, Columbia University<br \/>\nBoscobel House and Gardens, Garrison, New York<br \/>\nChrysler Museum, Norfolk Virginia<br \/>\nCity of Philadelphia. Water Department Archives.<br \/>\nDenver Museum of Art. Institute for Western Art. Denver Colorado<br \/>\nUniversity of Denver. Library Special Collections. Denver Colorado<br \/>\nFree Library of Philadelphia. Print and Picture Collection<br \/>\nGreenville Art Museum, Greenville North Carolina<br \/>\nHistorical Society of Pennsylvania. Philadelphia Pennsylvania<br \/>\nHudson River Museum, Yonkers New York<br \/>\nHuntington Library and Museum, San Marino, California<br \/>\nMuseum of the Southwest, Midland Texas<br \/>\nNewberry Library. Chicago, Illinois<br \/>\nNew York Public Library. Wallach Division of Art, Prints and Photography<br \/>\nPennsylvania Academy of the Fine Arts. Archives and Special Collections<br \/>\nSwarthmore College. Library Special Collections<br \/>\nTemple University. Samuel L. Paley Library Special Collections<br \/>\nWest Point Museum, United States Military Academy<br \/>\nYale Beinecke Rare Book and Manuscript Library. New Haven Connecticut<br \/>\nAnd private collections in California, Colorado, Connecticut, Illinois, Massachusetts, Missouri, New Jersey, New Mexico, New York,North Carolina, Pennsylvania and New Zealand.<\/p>\n<p><a href=\"https:\/\/needlewatcher.com\/marketplace\/product\/grand-river-sketchbook-unique-prototype-artists-proof\/\">PURCHASE NOW<\/a><\/p>\n<p><strong>P R E V I E W<\/strong><\/p>\n<p>Contents are loosely-bound in a fine handmade cloth-covered three-fold hard-case portfolio with silver-stamped turquoise-colored label, provided with a silk turquoise ribbon closure.<br \/>\nSheet size: 11 x 14 inches. Image-size: 3.5 x 10.5 inches.<br \/>\nThis unique artists proof is produced with 100% archival material.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-994\" src=\"https:\/\/i0.wp.com\/www.needlewatcher.com\/wp-content\/uploads\/2020\/05\/GRS-Title-page-scaled.jpg?resize=980%2C757&#038;ssl=1\" alt=\"\" width=\"980\" height=\"757\" \/><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-996\" src=\"https:\/\/i0.wp.com\/www.needlewatcher.com\/wp-content\/uploads\/2020\/05\/GRS-Print-1-scaled.jpg?resize=980%2C757&#038;ssl=1\" alt=\"\" width=\"980\" height=\"757\" \/><br \/>\nLooking Across Rio Grande Gorge. East 90 degrees from 37.4766 x 105.7355<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-998\" src=\"https:\/\/i0.wp.com\/www.needlewatcher.com\/wp-content\/uploads\/2020\/05\/GRS-Print-2-scaled.jpg?resize=980%2C757&#038;ssl=1\" alt=\"\" width=\"980\" height=\"757\" \/><br \/>\nRio Grande Gorge. North-Northwest 350 degrees from 36.3235 x 105.7037<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-999\" src=\"https:\/\/i0.wp.com\/www.needlewatcher.com\/wp-content\/uploads\/2020\/05\/GRS-Print-3-scaled.jpg?resize=980%2C757&#038;ssl=1\" alt=\"\" width=\"980\" height=\"757\" \/><br \/>\nAcross Rio Grande Gorge. East-Northeast 77 degrees from 36.3567 x 105.7399<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1000\" src=\"https:\/\/i0.wp.com\/www.needlewatcher.com\/wp-content\/uploads\/2020\/05\/GRS-Print-4-Confluence-scaled.jpg?resize=980%2C757&#038;ssl=1\" alt=\"\" width=\"980\" height=\"757\" \/><br \/>\nConfluence of Rio Grande and Rio Pueblo de Taos. Northeast 40 degrees from 36.3363 x 105.7344<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1001\" src=\"https:\/\/i0.wp.com\/www.needlewatcher.com\/wp-content\/uploads\/2020\/05\/GRS-Print-5-scaled.jpg?resize=980%2C757&#038;ssl=1\" alt=\"\" width=\"980\" height=\"757\" \/><br \/>\nRio Grande Below Pilar. Northeast 45 degrees from 36.2623 x 105. 8023<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1002\" src=\"https:\/\/i0.wp.com\/www.needlewatcher.com\/wp-content\/uploads\/2020\/05\/GRS-Print-6-scaled.jpg?resize=980%2C757&#038;ssl=1\" alt=\"\" width=\"980\" height=\"757\" \/><br \/>\nBelow Embudo. Ohkay Owingeh. North-Northeast 18 degrees from 36.1969 x 105.9724<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1003\" src=\"https:\/\/i0.wp.com\/www.needlewatcher.com\/wp-content\/uploads\/2020\/05\/GRS-Print-7-scaled.jpg?resize=980%2C757&#038;ssl=1\" alt=\"\" width=\"980\" height=\"757\" \/><br \/>\nWhite Rock Canyon. Late Light. South 181 degrees from 35.8251 x 106.1822<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1004\" src=\"https:\/\/i0.wp.com\/www.needlewatcher.com\/wp-content\/uploads\/2020\/05\/GRS-Print-8-scaled.jpg?resize=980%2C757&#038;ssl=1\" alt=\"\" width=\"980\" height=\"757\" \/><br \/>\nWhite Rock Canyon. Sunset. South 176 degrees from 35.8251 x 106.1822<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1005\" src=\"https:\/\/i0.wp.com\/www.needlewatcher.com\/wp-content\/uploads\/2020\/05\/GRS-Print-9-scaled.jpg?resize=980%2C757&#038;ssl=1\" alt=\"\" width=\"980\" height=\"757\" \/><br \/>\nCochiti Lake and Dam. Ortiz Mountains Beyond. South-Southeast 162 degrees from 35.6360 x 106.3225<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1006\" src=\"https:\/\/i0.wp.com\/www.needlewatcher.com\/wp-content\/uploads\/2020\/05\/GRS-Print-10-scaled.jpg?resize=980%2C757&#038;ssl=1\" alt=\"\" width=\"980\" height=\"757\" \/><br \/>\nSandia Mountains from Kuaua. Southeast 140 degrees from 35.3272 x 106.5571<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1007\" src=\"https:\/\/i0.wp.com\/www.needlewatcher.com\/wp-content\/uploads\/2020\/05\/GRAND-RIVER_COLOPHON_2020-a-scaled.jpg?resize=980%2C757&#038;ssl=1\" alt=\"\" width=\"980\" height=\"757\" \/><br \/>\nColophon<\/p>\n<p><a href=\"https:\/\/needlewatcher.com\/marketplace\/product\/grand-river-sketchbook-unique-prototype-artists-proof\/\">PURCHASE NOW<\/a><\/p>\n<p><strong>THE AUTHOR<\/strong><br \/>\nJames Lancel McElhinney is a visual artist, author, historian, appraiser and publisher. He attended Tyler School of Art (BFA), Skowhegan School of Painting and Sculpture and Yale MFA). He is a recipient of a 2017 Pollock-Krasner Grant., and an artist fellowship from the National Endowment for the Arts. McElhinney is listed on the Master Artist Council of the Arthur Miller Foundation. A feature article on McElhinney\u2019s journal-works by Peter Trippi, Editor-in-Chief of Fine Arts Connoisseur was published in the March-April 2018 edition of the magazine. McElhinney\u2019s journal paintings and print editions were featured in the exhibition Wish You were Here: Journals, Journeys and Expeditions, at The Institute Library in New Haven, Connecticut from June 7 through August 31, 2018. On view from October 24, 2018 to January 5, 2020, O.T.W. On the Water: The Schuylkill River was the inaugural installation in a community gallery created to accompany the new <em>River Alive<\/em> experience at Independence Seaport Museum in Philadelphia. James McElhinney: Discover the Hudson Anew paired McElhinney\u2019s fine sketchbooks and fine-press limited editions with historic artists Jon Wethered Bell, Samuel Colman, Jacques-Gerard Milbert, and William Guy Wall. Monotypes and painting-journals from McElhinney\u2019s Grand River Sketchbook project were exhibited in Reimagining New Mexico at Gerald Peters Gallery in Santa Fe, from June 28 to august 3, 2019. His sketchbooks and fine-press limited editions were also featured in Speaking to the Imagination: The Contemporary Artist\u2019s Book at Peters Projects in Santa Fe from June 21-October 26, 2019. McElhinney is the author of Sketchbook Traveler. A Field-Guide to Mindful Travel Through Drawing &amp; Writing, from Schiffer Publishing, scheduled for release in September 2020. The first volume covers the Hudson Valley. The second volume will focus on New Mexico and the American Southwest. McElhinney lives in Manhattan and the Champlain Valley with his wife, art-historian Dr. Katherine Manthorne, and a feline named Maeve.<\/p>\n<p>To reserve a copy, enquire: editions@needlewatcher.com, P.O. Box 233. Essex, New York. 12936-0233. 347-266-565<\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/needlewatcher.com\/marketplace\/1061-2\/\">Return to GRAND RIVER SKETCHBOOK<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SOLD Cover: Portfolio binding by Mita Saldana. Against the Grain Bindery, Albuquerque, New Mexico As part of the research and development of this project we looked at a number of different binding options, of which this was the first prototype, produced by Against the Grain Bookbinding Arts in Albuquerque, New Mexico. \u00a0Due to the COVID [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-581","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/needlewatcher.com\/marketplace\/wp-json\/wp\/v2\/pages\/581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/needlewatcher.com\/marketplace\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/needlewatcher.com\/marketplace\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/needlewatcher.com\/marketplace\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/needlewatcher.com\/marketplace\/wp-json\/wp\/v2\/comments?post=581"}],"version-history":[{"count":20,"href":"https:\/\/needlewatcher.com\/marketplace\/wp-json\/wp\/v2\/pages\/581\/revisions"}],"predecessor-version":[{"id":1990,"href":"https:\/\/needlewatcher.com\/marketplace\/wp-json\/wp\/v2\/pages\/581\/revisions\/1990"}],"wp:attachment":[{"href":"https:\/\/needlewatcher.com\/marketplace\/wp-json\/wp\/v2\/media?parent=581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}